Vullo and Public Art in Pittsburgh
Wednesday, March 17th, 2010Pittsburgh’s South Side is one of the most lively places downtown, and it’s also got one of the most interesting histories in the city. Visitors coming to the city to look for signs of the past infused with the present and an eye toward the future can find it all here. Visitors staying in other parts of the city can travel easily from their Pittsburgh hotels to check out what’s happening in the heart of the city. This is the place to go to find old bookstores, where the owners are still very much up on the contemporary publishing scene, and have regular visits from old friends who happen to be famous authors.
This is also one of the places in town where you can find the famous sandwiches made with the meat and filling augmented by fries, all stuffed into the same hearty hunk of bread. Sports fans and music enthusiasts are here, and there are also plenty of art lovers. The turn out at the neighborhood art events is evidence of its pulse, and that’s all to say, this city is beating strong.
This is in no small way linked to the efforts of local artists like Lorraine Vullo , whose recent commission, the Homestead Labyrinth , marks a very important and tragic labor battle here over a century ago.
This work takes on the challenges of making something entirely local and linking it to a global context, in this case the history of labyrinths in the world. This is another splendid addition to Vullo’s impressive body of work, which has always taken on large themes, and inflecting them with her astute observations and capacity for seeing deeply into the nature of things. She has been an essential part of Pittsburgh’s art scene since she moved here from Buffalo in the 70s, and the influence of her work here is something that could very easily have a life as long as the sacred objects she creates out of the materials that humans have used to construct the city itself.
